By Cody Kitaura
Citizen Staff Writer
Special to Scoop
Call me old fashioned, but I thought vampires wore capes. And turned into bats. And slept in coffins.
None of that is true in author Stephenie Meyer’s wildly successful Twilight franchise, but it didn’t stop hundreds of fans from packing into Sacramento’s Esquire IMAX Theatre for a midnight showing of the newest installment on June 30.
The series, which first hit the big screen in 2008, revolves around Arizona-native Bella Swan’s (Kristen Stewart) move to an unfamiliar high school in rural Washington state, where she falls madly in love with vampire Edward Cullen (Robert Pattinson), all the while being thrown into dangerous vampire turf wars and werewolf rivalries.
Eclipse, the third of the four-part series, was released June 30, and shattered records for the biggest midnight release in U.S. history, grossing an estimated $30 million on its first night.
The film revolves around the hunt for clues as the vampire protagonists fear out-of-control, “newborn” vampires may be behind a string of mysterious killings in Seattle. As danger seems more and more imminent, werewolf heartthrob Jacob Black (Taylor Lautner) confesses his love for Bella and sets out to convince her that he’s a better mate than cold, undead Edward.
Fans of “traditional” vampire tales will revel in the flashbacks showing the human lives of the bloodsucking characters before they were immortal. One such flashback shows Jasper Hale (Jackson Rathbone) as a Confederate soldier in the Civil War, while Edward’s early-1900s persona shows through as he describes how his romance with Bella would have gone during his time.
“I would’ve courted you,” he says during a tender moment in Eclipse, explaining how he would have “stolen a kiss or two.”
His old-fashioned nature irks Bella, who is eager to skip the chaperoned strolls and get to the real intimacy. She urges Edward to bite her and turn her into a vampire so they can spend eternity together, but he resists.
The feeling of this installment was radically different from past Twilight films, and the move was a positive one. Each film in the series is overseen by a different director, and Eclipse’s David Slade was a surprisingly successful choice. Slade, a 40-year-old Briton with a Cullen-esque complexion, was previously more known for gory horror films and music videos than tween-heartthrob flicks, but Eclipse winds a sense of dark suspense with the requisite web of romance.
The film’s target audience hasn’t shifted from that “young adult” crowd, but the few fathers present at the midnight showing (who likely weren’t there by choice) could find enjoyment at least in the film’s few fast-paced action scenes, which were energetic and well done.
And if the more reluctant attendees weren’t able to enjoy that part of the film, they could at least revel in the audio-visual candy store that is the Esquire IMAX Theatre, located at 1211 K St. in downtown Sacramento. The massive screen and booming stereo seem to make any movie more engaging.
Eclipse was destined for success before any of its core fans had seen even a frame of the actual film, but luckily the movie does enough to keep even the non-rabid fans engaged.
Showing posts with label downtown Sacramento. Show all posts
Showing posts with label downtown Sacramento. Show all posts
Wednesday, July 7, 2010
Tuesday, November 3, 2009
Sea Creatures of the Largest Kind
This drawing shows the size of sea mammals compared to people, elephants and buildings. Courtesy of 3D Entertainment. 
Late last month I saw a documentary at the Esquire IMAX theatre in downtown Sacramento titled, "Dolphins and Whales: Tribes of the Ocean 3D."
The film was 2 years in the making.
Filmmakers Jean-Michel Cousteau, film ambassador; Daryl Hannah, narrator; Francois Mantello, producer; Jean-Jacques Mantello, director, and Gavin McKinney, director of photography made the film.
They shot in eight countries and captured over 100 hours of footage.
On Oct. 15 Director of Photography Gavin McKinney (photo) flew in from his home in the Bahamas to introduce the film to the Sacramento audience at the IMAX.
Adults and children filled the lobby, where a party was held before the 42- minute long film.
That’s when I had a chance to speak with McKinney.
I asked him if he was a wildlife or environmental activist. He told me he’s not an activist, but describes himself as a nature lover.
Growing up in the Bahamas, with no TV, the ocean was his playground.
“Nature was just a part of life,” he said.
Because of this, he has an immense appreciation for the ocean. He was also very brave when it came to swimming next to a 10-ton whale.
I also asked him how he wanted to audience to feel when watching the film.
McKinney said he hoped the audience would experience what he felt when filming.
I asked him if this film was marketed towards children because many, many children were at the screening.
He said children understand the sadness of the situation sometimes better than adults. Their compass to determine right-and-wrong is strong.
“Kids ‘get it’ when shark’s fins are cut-off,” he said.
The film was 2 years in the making.
Filmmakers Jean-Michel Cousteau, film ambassador; Daryl Hannah, narrator; Francois Mantello, producer; Jean-Jacques Mantello, director, and Gavin McKinney, director of photography made the film.
They shot in eight countries and captured over 100 hours of footage.
On Oct. 15 Director of Photography Gavin McKinney (photo) flew in from his home in the Bahamas to introduce the film to the Sacramento audience at the IMAX.
Adults and children filled the lobby, where a party was held before the 42- minute long film.
That’s when I had a chance to speak with McKinney.
I asked him if he was a wildlife or environmental activist. He told me he’s not an activist, but describes himself as a nature lover.
Growing up in the Bahamas, with no TV, the ocean was his playground.
“Nature was just a part of life,” he said.
Because of this, he has an immense appreciation for the ocean. He was also very brave when it came to swimming next to a 10-ton whale.
I also asked him how he wanted to audience to feel when watching the film.
McKinney said he hoped the audience would experience what he felt when filming.
I asked him if this film was marketed towards children because many, many children were at the screening.
He said children understand the sadness of the situation sometimes better than adults. Their compass to determine right-and-wrong is strong.
“Kids ‘get it’ when shark’s fins are cut-off,” he said.
The movie didn't feature any gore, like shark fins being cut off. McKinney wanted children to gain an appreciation for the mammals from the tame film, so they'll react more sympathetically as adults.
Although the film noted the shrinking populations of most whale and dolphin species, the pre-show party was cheery. Children gathered around a person in a dolphin costume to play games and dance.
The film was viewed with 3D glasses.
But before the film, McKinney gave a short introduction.
When shooting the documentary, he told the audience, he experienced three different emotions: frustration, euphoria and panic.
Having an animal swim away was frustrating. Finding the perfect shot was euphoric. And being smashed into incited panic.
Approximately 300,000 whales are killed each year, he said. Some are accidentally caught by nets.
“Being a whale or dolphin today is not as much fun as it used to be,” he said. “There’s a lot to be done to ensure their survival.”
The documentary highlighted various species of dolphins and whales; showed their daily routines like feeding, traveling and caring for their young; and noted how much in danger of extinction each species was. Some were frighteningly close to being extinct forever.
After the documentary, I briefly spoke with him in the lobby and asked him if he ever had any close calls with the mammals.
The whales were so massive, he said, even a baby whale bumping up against him felt like being hit with a bowling ball.
“These animals really dictate what happens,” he said referring to their power and size.
He described one time when a baby whale was swinging its head back-and-forth and almost hit him. That swinging movement would be about six feet in either direction, he said using nearby objects to measure the distance.
McKinney’s bio states he’s worked on films such as “Splash,” “Speed 2,” “Jaws: the Revenge,” “The Abyss,” and many more. To learn more about the film visit dolphinsandwhales3D.com.
Although the film noted the shrinking populations of most whale and dolphin species, the pre-show party was cheery. Children gathered around a person in a dolphin costume to play games and dance.
The film was viewed with 3D glasses.
But before the film, McKinney gave a short introduction.
When shooting the documentary, he told the audience, he experienced three different emotions: frustration, euphoria and panic.
Having an animal swim away was frustrating. Finding the perfect shot was euphoric. And being smashed into incited panic.
Approximately 300,000 whales are killed each year, he said. Some are accidentally caught by nets.
“Being a whale or dolphin today is not as much fun as it used to be,” he said. “There’s a lot to be done to ensure their survival.”
The documentary highlighted various species of dolphins and whales; showed their daily routines like feeding, traveling and caring for their young; and noted how much in danger of extinction each species was. Some were frighteningly close to being extinct forever.
After the documentary, I briefly spoke with him in the lobby and asked him if he ever had any close calls with the mammals.
The whales were so massive, he said, even a baby whale bumping up against him felt like being hit with a bowling ball.
“These animals really dictate what happens,” he said referring to their power and size.
He described one time when a baby whale was swinging its head back-and-forth and almost hit him. That swinging movement would be about six feet in either direction, he said using nearby objects to measure the distance.
McKinney’s bio states he’s worked on films such as “Splash,” “Speed 2,” “Jaws: the Revenge,” “The Abyss,” and many more. To learn more about the film visit dolphinsandwhales3D.com.
Thursday, September 10, 2009
Eat Your Art Out Sacramento
Gourmet dining establishments in the downtown Sacramento area are partnering with the Sacramento Metropolitan Arts Commission (SMAC) to create the event “Eat Your Art Out,” to benefit the SMAC grant programs.
Tickets are $35 for this gourmet pub-crawl. Groups will be lead by “Crawl Captains.” Register with a team, or as an individual and be partnered with a team. Each guest will get a map noting the location of each participating business.
Visit a number of mostly independently owned midtown restaurants and coffee houses. Sample appetizers and drinks at each location.
As of 8/28 the following businesses were signed-up to participate: 3 Fires Lounge, Beach Hut Deli, Brew It Up!, Hot Italian Pizza, Sophia’s, Temple Downtown and Yogurt a go-go.
Guests will also receive a gift bag and a keepsake glass. Several Sacramento arts groups will offer entertainment at select locations.
If you’re inviting out-of-town friends for the event, organizers have arranged special deals at local hotels for crawlers.
For more information and to purchase tickets visit http://crawltix.com/eatyourart/
Tickets are $35 for this gourmet pub-crawl. Groups will be lead by “Crawl Captains.” Register with a team, or as an individual and be partnered with a team. Each guest will get a map noting the location of each participating business.
Visit a number of mostly independently owned midtown restaurants and coffee houses. Sample appetizers and drinks at each location.
As of 8/28 the following businesses were signed-up to participate: 3 Fires Lounge, Beach Hut Deli, Brew It Up!, Hot Italian Pizza, Sophia’s, Temple Downtown and Yogurt a go-go.
Guests will also receive a gift bag and a keepsake glass. Several Sacramento arts groups will offer entertainment at select locations.
If you’re inviting out-of-town friends for the event, organizers have arranged special deals at local hotels for crawlers.
For more information and to purchase tickets visit http://crawltix.com/eatyourart/
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